New ‘Cloverfield’ Movie in Development From Director Babak Anvari, J.J. Abrams Producing for Bad Robot


Another chapter in the Cloverfield universe is coming.

Wounds director Babak Anvari has been tapped to helm the latest installment in the hit horror series. JJ Abrams is producing Bad Robot with Hannah Minghella and Jon Cohen. Executive producers are Bryan Burk, Matt Reeves and Drew Goddard. Joe Barton, who wrote the 2017 horror cult hit The Ritual, is set to write the screenplay.

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Currently in development at Paramount Pictures, this next installment will be the fourth chapter in the experimental sci-fi series. The first film, 2008’s Cloverfield, was a hit found footage film about the alien invasion. The second chapter, 2016’s 10 Cloverfield Lane, modified an existing script to fit the Cloverfield universe and became a commercial and critical hit, buoyed by strong performances by Mary Elizabeth Winstead and John Goodman became. The third installment, 2018 space thriller The Cloverfield Paradox, was widely planned but rose to fame when Netflix announced the project during the Super Bowl and confirmed fans would be able to watch it immediately after the game.

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Abrams, who produced all of the films in the series, spoke to Time when part one came out in 2008 about why he thought found footage was the right medium for this creature movie.

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“The film is meant to be entertainment, to give people the thrill of watching monster movies as a kid,” he said. “I hadn’t seen anything that felt like this in many years. I felt like there must be a way to make a monster movie that’s updated and fresh. So we came up with the Youtubification of things, the ubiquity of video cameras, cell phones with cameras. The age of self-documentation felt like a wonderful prism through which to view the monster film. Our take is what if the absolutely absurd happened? How terrifying would that be? The video camera that we all have access to. There’s a certain weird and eerie intimacy that comes with these videos. Our take is a classic B-Monster film made to feel very real and relevant while being spectacular and incredibly intimate.”

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Adam B. Vary contributed to this report.

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