Emily Ratajkowski’s Searing Takedown of ‘Blonde’ Says Everything About the Disturbing Way Hollywood Fetishizes Women

Netflix is ​​newly released Blond, which tells the story of Marilyn Monroe’s traumatic childhood and turbulent, exploitative Hollywood career, is generating strong backlash. In a scathing TikTok, Emily Ratajkowski had some bones to pull with the film for capitalizing on female trauma and the film industry’s ongoing fetishization of women suffering at the hands of patriarchy.

Ratajkowski shared this, although she didn’t see it Blond Still, she already has thoughts on the biopic due to the public comments she’s faced. “I’m not surprised to hear that this is yet another film that fetishizes female pain even in death. we love to fetishize female pain.”

More from SheKnows

The model continued, “Look at Amy Winehouse, look at Britney Spears, look at how obsessed we are with it [Princess] Diana’s death, the way we obsess over dead girls and serial killers” – a recent example for Netflix dahmer It’s the streaming service’s biggest debut since Season 4 of stranger things.

Ratajkowski continued, “For me, it’s safe to say that I’ve learned to fetishize my own pain and pain in my life so that it feels like something to take care of that’s kind of sexy , and like, you know, ‘I’m like, oh, damn girl, whatever,’ and I think we do that in many, many different ways… But I want that to change.”

Also Read :  Athleta Teams Up with thredUP and Shop Premium Outlets to Offer Customers New Shopping Experiences Online | News

Click here to read the full article.

EmRata then called on women to unite to protest the gross and violent fetishization of women like Marilyn Monroe and women in general, saying, “You know what’s hard to fetishize? Fury. anger is difficult to fetishize. So I have a suggestion. I think we all need to be a little more pissed off. I’ll be in my witch time; 2022 baby is my b—h era I think we should Everyone be in our b—h era.”

Summarizing her thoughts, she said, “I’m going to be pissed off when I see the film, I already know it but it’s nothing new, and … yeah. I just get angry.” She wrote on TikTok, “So done with fetishizing female pain and suffering. B—h era 2022.”

Ana de Armas, who plays Marilyn Monroe in the biopic, and Adrian Brody, who plays Monroe’s third husband Arthur Miller, have defended the uncomfortable portrayal of Monroe Blondwho shared their reasons for the new film’s unsavory portrayal of the Hollywood icon’s short life.

Also Read :  open to close, stocks, data, earnings and news

Brody spoke up The Hollywood Reporter about the film and said, “I’ve been thinking that since it was told [from Monroe’s] From a first-person perspective, it kind of works that the film is a traumatic experience because you’re in the middle of her — her journey and her yearnings and her isolation — in the midst of all this flattery.” He continued, “It’s brave and it takes a while to digest it. And I think it’s at odds with the public’s perception of her life, which characterizes the overall Fearless Filmmaking project.

De Armas also shared her thoughts diversity, and explains: “We tell their story from their point of view. I let people feel what they felt. When we had to shoot these kinds of scenes… It was difficult for everyone. But at the same time, I knew I had to go there to find the truth.”

While Ratajkowski is not wrong that Hollywood continues to capitalize on female pain and trauma through the making of Blondde Armas and Brody also have a valid point about Monroe’s life being fetishized into something it never was.

Also Read :  Florence Pugh, Michael Keaton and More Big Paydays – The Hollywood Reporter

Blond is a chaotic, surreal depiction of how Norma Jean Baker’s alter ego, Marilyn Monroe, was created by her as a coping mechanism and a means of escaping the trauma she experienced as a child – trauma that bled heartbreakingly into her adult life and led to her tragic, early death.

Yes, Blond is a painful 3-hour retelling of every horrible thing that ever happened to Monroe, largely at the hands of other people, and therefore validates Ratajkowski’s thoughts on the fetishization of female pain.

However, so was Monroe’s reality and those involved Blond told her story in such an obnoxious way as to do justice to Hollywood’s favorite starlet of the 1950s – a beloved starlet who was horribly exploited and commodified by the industry that supposedly loved her so much during her lifetime and well after her death .

Before you go, click here for the best Marilyn Monroe books:

The best of SheKnows

Sign up for the SheKnows newsletter.
Follow us for the latest news on Facebook, Twitter and Instagram.

Leave a Reply

Your email address will not be published.